
But here’s the twist: not all stretching is equal. In fact, when it comes to “dynamic vs static stretching”, dancers always ask, which one is actually better for ballet? Let’s dive in.
We’re asked this a lot: “what’s the difference between dynamic and static stretching?” It seems complicated, but it’s actually very simple.
Static stretching involves holding the stretch for some duration (usually 15 to 30 seconds). Think about those old familiar stretches we’ve all learned, reaching down and touching your toes, doing the splits, or reaching back and grabbing your foot to stretch your quad.
Dynamic stretching involves movement. These stretches are active and often mimic the moves you’ll be doing in your dance routine. Think of battements, controlled leg swings, or lunges with movement. So, one is about stillness and deep muscle extension. The other is about movement, control, and preparing your body for action.
Static stretching is the old faithful of flexibility training. It’s the kind of stretching most of us first learnt in school or our early ballet classes. The big benefit? It allows you to slowly increase your flexibility over time. This is why it works:
It’s also great as part of your cooldown to help reduce soreness and aid recovery. Plus, adding in resistance bands during static stretching can give you that extra challenge to build strength along with flexibility. (For more technique and recovery tips, check out our Tips page)
On the flip side, dynamic stretching is what your body craves before you start dancing.
Instead of holding a position, you move in and out of stretches using controlled, intentional movement. These aren’t just wild kicks or flails (please don’t do that). They’re movements are like leg swings, walking lunges with rotation, relevés on a step, and arm circles or shoulder rolls. This is why they work:
The takeaway? If you want to prepare your body to dance well, dynamic stretching is a must.
Here’s where the magic happens and why both work hand in hand. It’s not about choosing one over the other. It’s about using them together. Think of it this way: before class or performance, go for dynamic stretching. It’s the perfect warm-up. After class or during your flexibility training at home, bring in static stretching to cool down and gently push those flexibility boundaries.
That’s the sweet spot. Static stretching helps lengthen and relax muscles, while dynamic stretching wakes everything up and primes you for performance. So, in the “dynamic vs static stretching overview” debate, and which is better for ballet dancers, the answer is, they both win.
If you’re someone who tends to throw in a few rushed toe touches before class and call it a day, it’s time to level up. Start by layering a few simple dynamic stretches into your warm-up routine:
After your session, take your time with some static stretches:
And remember, never force it. Especially when it comes to static stretching. You want a deep, steady sensation of stretch, not pain. Trust your body, and give it time.
For more dancer-specific advice, see Isabella’s media & blog section.
This is the biggie. One of the biggest arguments in favour of dynamic stretching is injury prevention. When your muscles are tight and cold, entering full movement, whatever that may be, a sauté or grand jeté, is risky. Dynamic stretching brings your body alive slowly, getting the blood flowing and warming up your muscles. That gets your tendons, ligaments, and joints in prime working condition to go.
Conversely, static stretching prior to dancing actually diminishes muscle power for a temporary period. That is why it’s most appropriately reserved for post-training. While both stretching styles have their place, dynamic stretches are better suited to pre-activity preparation.
A 2021 review in the Journal of Strength and Conditioning Research noted that:
So, if you’re heading into a pirouette-heavy class or jumping session? Dynamic is your friend. If you’re working on your splits or hamstring flexibility at home? That’s where static stretching shines.
It’s also worth noting that combining both types of stretching may even help with strength-building. Alternating between dynamic and static exercises trains the muscles to work both when they’re lengthening and when they’re under tension. Which is exactly what ballet demands.
You don’t have to pick sides in the “dynamic vs static stretching” debate. Like pointe shoes and rosin, they each serve a purpose in your toolkit. The key is to know when to use which. Use dynamic stretching to get your body warm, your mind and body ready for movement. It aids in blood flow, coordination, and injury prevention. Use static stretching to recover and gradually increase flexibility and muscle length.
In short, stretch smart. Warm up dynamically. Cool down statically. And don’t be afraid to mix and match depending on how your body feels that day.
Need help building a pre-class or post-class routine? Reach out via our contact page or check out our guided tips and resources here. Keep stretching, keep dancing, and never stop learning how to take care of your dancing body.